Category Archives: Photography

Rayko Photo Center provides a stimulus to the Bay Area photography scene that is immeasurable. Aside from providing rental studio, darkroom, and digital printing access, they offer a wide variety of classes and workshops in traditional, digital, and most important (in my view), alternative processes. I just finished a terrific Critique workshop with a very generous instructor-J. John Priola*. This was a very good experience, and if I can muster up enough work, will take it again-John is an excellent facilitator.

During this time, Rayko announced that their Gallery would be closing- a huge blow to our community. San Francisco has always had a vibrant photography scene, and there are a few galleries that are photo specific, but they tend to cater to the Art world, and the “specialness” of that world. In the time I have been going to Rayko, their gallery, under the direction of Ann Jastub, has produced thoughtful and engaging shows, including the current and final exhibit-

10TH ANNUAL INTERNATIONAL JURIED PLASTIC CAMERA SHOW

Like other Hipster trends, there is an element of the plastic camera movement that is just another form of “coolness consumerism”, but  this is different. This is a juried show, and it isn’t about coolness, it is about creativity.

And it sings.

I asked permission to take note with my phone.

The work ranges from images that are photographically interesting

to being photographically interesting with a dose of plastic camera quirkiness,

 

and then to more experimental works of conception and process. My favorites were by a pinhole shot by Andy Mattern

and two images where Robert Schneider reversed the lenses on his Brownie Camera

 

 

Also on display were images from past years,a Holga panorama by Veronika Lukasova

 

Aline Smithson, who apparently used this set built from Legos

Robert Holgren printed this starfish in sections on tracing paper, then stitched it together with staples,

 

and this beautiful print from Michael Borek

The rest of the gallery space is generously devoted to print rack where students can sell their work at very reasonable prices, and a very engaging collection of antique and unique cameras and accessories. The value of this display should not be taken lightly, for inside of every gearhead is an appreciation of all of those knobs, gears, and especially the lenses.

I went through this show twice yesterday, partly because it is so captivating, and also inspiring.

But I also wanted to just hang out, and absorb that great Rayko Photo vibe.

*http://www.jjohnpriola.com/

 

 

 

 

123 Images-Carquinez Bridge at Sunset

There are more images in the 123 series, but this is the last one I am going to talk about here.

San Pablo Avenue pretty much ends where the Freeway entrance to the Carquinez Bridge crosses the Sacramento River. The road itself continues past the Freeway, but the street name is changed as it becomes part of the City of Crockett.

I couldn’t figure out how to take an interesting picture of this bridge. When crossing it, there is something I have always liked the C&H Sugar building, and this caused me to want to include that building in my photo, so I started looking for a vantage point. Just before this bridge/Freeway junction, there is a “scenic view” turnout overlooking the river for at least 180° East and West. This offered possibilities, but in order to get my desired point of view, I had to climb over the parking lot guardrail and then the heavy brush obscured a clear view.

Shortly after, I was reading the user manual for my camera, and the page on shooting panoramic images used a bridge as an example.

em5-manual1

 

I like panoramic images. Because there is so much accumulated information, a lot of detail is brought out, and because the lens position changes during the exposures, there is a perspective shift that can visual interest to even a mundane picture of a bridge. I have attempted a numberof panoramics, with various successes stitching them together.

I drove back out there, and just to the East of that Vista Point is the Dead Fish Seafood Restaurant. As I pulled into their parking lot, I found a small private road that dipped down practically to the riverbank.

I grabbed my tripod, walked down, and started scouting for a good vantage point. I came to a flat spot that presented me with the viewpoint I wanted, and the setting Sun was low enough to light up the C&H building, but rapidly heading towards the horizon. I didn’t have time to think about setting up a tripod or all of the “best practices” for shooting panoramic images. I just started shooting.

I took about 50 images, thinned them down to 35, and loaded them into the stitching software.

35-pic-screen-shot

Frankly, I didn’t expect much, there was just so many lines and angles to fit together.

Stitching images together accumulates a lot of information (the finished file is 131MB and the final image is 4½ feet long)

OLYMPUS DIGITAL CAMERA

 

so it took a long time for the software to do its thing, but it did it well-surprisingly well. Because the Sun was setting so rapidly, the individual photos got progressively darker by the time I got to the far side of the river, so we had to use some gradient lightening in order to even up the final image from left to right. This too, worked very well. Except for a bit of cropping, there was no other editing done to this image.

I was so pleased with the results, that I kept the jagged image edges created by the stitching software.

carquinez-bridge-at-sunset-resized

Copyright 2016  Jimmy Reina

My position that this image is a partnership between the software and me, and the hand of the software needs to be recognized as much as my own.

 

http://www.jimmyreinaphoto.com

 

123 Images-Liberty Behind Bars and American

I wrote about these two images before, They were both taken on the same July 4th-Indepenence Day in the United States, a day for flag waving, fireworks, and politicians making speeches about freedom and Democracy with a capital “D”.

I shot this image four or five times over the course of a year, and was never satisfied with the results. Because it is inside a building, most attempts would give me enough shadow detail. I needed enough light coming in from the late afternoon Sun to illuminate it for me. But that same afternoon Sun created a ton of glare and reflection off of the window glass. On this day, I think I found the remedy to those problems by pressing the end of my lens directly on to the glass.

Liberty Behind Bars

Copyright 2016 Jimmy Reina

 

 

 

 

 

 

 

 

 

 

 

 

The irony (to me anyway) is that the photo was taken on July 4th and the tablet that Lady Liberty is holding is inscribed with the date of the American Declaration of Independence- July 4, 1776.

Liberty Behind Bars

Copyright 2016  Jimmy Reina

 

I got the shot, and as I drove away on San Pablo Avenue, I found this second situation. In order to get the whole image, I had to make a U turn and shoot from across the street. I am an old Alley Cat, and street life generally doesn’t faze me, so normally I would park and wait for a break in traffic so I could walk out into the street  and fill my viewfinder with the image. However, this corner is about as funky as can be, and the small grassy area where I had to park was filled with quite a cast of characters, most of them probably harmless, some of them probably homeless, but there were some bad dudes there (the City of Oakland has since closed it down by fencing it off). I took the easy way out, and just rolled down my window, and clicked off a few frames.

American

Copyright 2016  Jimmy Reina

Here’s the inside joke. Aside from the American Flag, the car is a Rambler American, something that may only be obvious to a 1960s motorhead like me.

American

Copyright 2016  Jimmy Reina

It has been said that the Statue of Liberty really is the symbol of the beacon of hope the United States represents to immigrants. There is a poem about this hope displayed there, the most famous lines from it are-

“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

I have to say that “Liberty Behind Bars” seems to take on new meaning with the actions the Trump Administration took this week.

 

www.jimmyreinaphoto.com

 

 

 

 

123 Images-Horse Mural and Troy Orvil

I am showing these two images together because not only are they connected geographically, but the attempt to shoot one led to the discovery of the other.

As usual, I was cruising San Pablo Avenue looking for interesting material, when I saw this horse mural.

Copyright 2016  Jimmy Reina

I took several shots of it, but the land was fenced off, and I couldn’t really get the head on, wide angle shot I wanted.

This mural may not look that impressive in the photo, but when you are standing there, it is quite something to see. The fenceposts behind it are 4-6 feet apart, which would make the mural wall over 100 feet long.

Like most of my work, I let this image marinate for awhile, revisiting it from time to time to see if it had staying power. At the time, I was in a camera club, and I knew that if I were to show this image to the members, the first comment would be a criticism that I was just “photographing somebody else’s art”. I couldn’t argue with that position, but that really wasn’t why I liked it. Although it is a bunch of man made unnatural rectangles, to me it fit in with the landscape.

Months later (post rainy season, grass was now Green), I decided to return to the scene, and get the best shot possible. That road in the photo is San Pablo Avenue, and I drove up it to the next driveway, and asked permission to hike down into the gulley in order to get the shot I wanted. The property owners told me that the mural wasn’t on their property, but I was welcome to try. It was pretty steep, and overgrown, and when I made it down to the bottom, there was another fence that prevented me from getting anywhere near close.

My younger, more rebellious self would have just hopped the fence, and kept going, but these days, I try to have more respect for other people’s property, and besides, I pictured some rancher chasing me through that gulley with a camera flapping and a tripod over my shoulder.

I retreated, drove further up the hill, and asked another neighbor who the landowner was. He gave a bit of background on the mural and the local artist who created it, and told me that the property owner lived across the adjacent road.

I drove back around to the end of a secluded, one block long dead end street, wrote a note with my contact info, requesting permission to climb the fence, and asking the property owner to call me.

I put the note in their mailbox, turned around, drove to the end of the block, and saw this other mural at the rear of a back yard. I thought it was a bit of interesting folk art (with the same stretch of San Pablo Avenue in the background), so I took a couple of shots through the open passenger window of my car. This took less than a minute.

TROY ORVIL

Copyright 2016  Jimmy Reina

It was only when I later looked at the image on my monitor, did I see the body in the foreground.

I can’t look at this photograph without thinking of those American Civil War battlefield photos taken by Mathew Brady.

I am proud to say that this photo was just chosen to be in a Street Photography show at the Los Angeles Center of Photography, running from February 3-March 10th, 2017.

Here is a link for more info—–

https://lacphoto.org/lacps-third-annual-street-shooting-around-the-world-exhibition-2017/

 

I went back to the horse mural, and walked along the fence in front of it, and took a shot that I am pretty pleased with-

Horse Mural

Some days the fish don’t bite, other days, they jump right into your boat.

 

www.jimmyreinaphoto.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

123 IMAGES-GREYHOUND STATION

Often, when reviewing photos, I am treated to a “happy accident”-something in the shot that was not anticipated, but adds to it. I shot the Oakland Greyhound Station during the day as well, but while it is an interesting building, the photo had no pizzazz. Because of that great lighted sign, I went back at night, and took a few shots. During one of them, this car pulled up and dropped off a passenger, and the implied loneliness, makes the photograph.

Greyhound Station

Copyright 2015 Jimmy Reina

 

www.jimmyreinaphoto.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FINAL EXAM

I have a love/hate relationship with San Pablo Avenue, a major road here in the East Bay.

123 sign

For more than 25 years, I have been on it almost every single day. My home is a block off of it, and for most of the last decade of the 20th Century, I had a retail business on San Pablo Avenue  in Berkeley.

It is crowded, hectic, and it stinks of diesel fumes, but I know I can’t escape it, so I have come to grips with it.

 

Wikipedia starts its San Pablo Avenue entry with-

State Route 123 (SR 123) is a state highway in the U.S. state of California in the San Francisco Bay Area. Named San Pablo Avenue for virtually its entire length, SR 123 is a major north–south state highway along the flats of the urban East Bay in the U.S. state of California.

 

That entire article is here-

https://en.wikipedia.org/wiki/California_State_Route_123

 

 

A few years ago, I had the opportunity to use some of my own photos on a desk calendar that was mailed out to my real estate clientele. There was a press deadline, so for two weeks, I drove around and shot photos of what I thought was significant or interesting in “Jimmy’s World”.

Orthodontist Sign

Dogs on Board

Cerrito Theater

When I realized that 3 out of the 13 calendar images were taken on San Pablo Avenue, it occurred to me that it might be a worthwhile project to do a San Pablo Avenue photographic road trip.

I presented a version of this series as my Final Project in my Special Projects in Photography class, and a revised version was incorporated into my website-

 

http://www.jimmyreinaphoto.com/Galleries/123/

The photos are arranged geographically, where Frank Ogawa Plaza Anchors San Pablo in Oakland at the South end, to where it ends at The Carquinez Bridge in Crockett.

 

I have been asked about the situation or “backstory” behind a few of these photos, and will tell a few of those stories in the days to come.

 

Composition Assignment

This term, we had a repeat of the composition assignment.

I had just replaced my dumb phone with a smarter one, and in order to challenge myself, I used it to capture these shapes.

Composition

 

Composition

I know publishing these may seem self indulgent, but the point isn’t about the images.

It is about working outside of one’s comfort zone, flexing the photographic muscle, and maintaining a discipline.

Composition

Composition

Composition

Composition

Composition

Composition

Composition

Composition